Chord Types Chart

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C C h h o o r r d d T T y y p p e e s s
Chords are named according to their root
note and the intervals between the notes
that make them up. Most chords fall into
Intervals
six types: major, minor, dominant, dimin-
ished, augmented, and suspended.
Root
2
<3
3
4
<5
5
>5 6
<7
7
Octave
M M a a j j o o r r C C h h o o r r d d
E
G
C
C major
{
A triad chord made up notes that are a
m m a a j j o o r r t t h h i i r r d d (3rd) and a p p e e r r f f e e c c t t f f i i f f t t h h (5th)
C
E
G
B
C maj7
interval from the root is called a major
Major
chord. If another note is added to the
C
E
G
A
C maj6
triad and that note is a major seventh in-
C
E
G<
B
C maj7<5
terval from the root, the chord is called a
major seventh. Alternately, if another
E
G>
C
B
C maj7>5
note is added to the triad and it is a sixth
interval from the root, that chord is called
a major sixth chord.
C
E<
G
Cmin
C
E<
G
B<
Cmin7
M M i i n n o o r r C C h h o o r r d d
Minor
A triad chord made up of a m m i i n n o o r r t t h h i i r r d d
{
E<
G
A
C
Cmin6
(<3rd) and p p e e r r f f e e c c t t f f i i f f t t h h (5th) interval from
the root is called a minor chord. If an-
E<
G
B
C
Cmin-maj7
{
other note is added to the triad and that
note is a minor seventh (<7th) interval
C
E
G
B<
C7
from the root, the chord is called a minor
Dominant
seventh. Alternately, if another note is
E
G<
C
B<
C7<5
added to the triad and it is a sixth interval
from the root, that chord is called a minor
sixth chord.
C
<E
G<
Cdim
D D o o m m i i n n a a n n t t C C h h o o r r d d
Diminished
{
C
<E
G<
A
Cdim7
When fourth note is added to a m m a a j j o o r r
<E
G<
C
B<
C]7
c c h h o o r r d d and that note is a m m i i n n o o r r s s e e v v e e n n t t h h
(<7th) interval, the resulting four-note
chord is called a dominant seventh.
{
C
E
G>
Caug
Augmented
D D i i m m i i n n i i s s h h e e d d C C h h o o r r d d
E
G>
B<
C
Caug7
A triad chord made up of a m m i i n n o o r r t t h h i i r r d d
(<3rd) and a d d i i m m i i n n i i s s h h e e d d f f i i f f t t h h (<5th) inter-
F
G
C
Csus
val is called diminished. If a fourth note is
Suspended
added and that note is a perfect sixth
F
G
B<
C
Csus7
(sometimes called a double-flatted 7th —
<<7) interval, the chord is called a dimin-
ished seventh. Alternately, if that fourth
Major 3rd Perfect 5th
Major 7th
note is a minor seventh, the chord is
called half-diminished seventh.
]
The symbol for half-diminished is
.
Example: G]7 = Gm7<5
A A u u g g m m e e n n t t e e d d C C h h o o r r d d
A triad chord made up of a m m a a j j o o r r t t h h i i r r d d
(3rd) and an a a u u g g m m e e n n t t e e d d f f i i f f t t h h (>5th) interval is called augmented. If a fourth note is added
and that note is a minor seventh interval, the chord is called an augmented seventh.
S S u u s s p p e e n n d d e e d d C C h h o o r r d d
A triad made up of a p p e e r r f f e e c c t t f f o o u u r r t t h h (>4th or <5th) and a p p e e r r f f e e c c t t f f i i f f t t h h (5th) interval is called a
suspended chord. If another note is added to the triad and that note is a minor seventh in-
terval from the root, the chord is called a suspended seventh.
5

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