Guitar Theory: Pentatonic Scales

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Guitar theory: Pentatonic Scales
Tried and true, this is the scale we all love to use. Guitar legends have been made from this scale. The
good news is that it’s one of the easiest scales to remember and it fits in just about everyone’s style in
some way or another. It’s commonly used in country, jazz, rock, metal, folk, everything.
Major Pentatonic Scale
Lets start with the Pentatonic major scale. Below is the fretboard chart (in A) for it then we’ll talk about
what’s going on in it.
Above you can see that there seems to be fewer notes than the major and minor scales. It’s true. The
major pentatonic eliminates the 4th and the 6th of the major scale. This may be the reason it is easier to
remember. Also by eliminating the 7th it makes the scale more universally usable. The 7th note,
remember, sets the flavor of the chord. Without defining it the scale can fit over more chords.
Every single major pentatonic scale for every single key signature follows the same pattern:
W ... W ... W + H ... W ...W + H
or
Whole step - Whole step - Whole step and a half - Whole step - Whole step and a half
A step is the distance between 2 notes: half step = 1 fret whole step = 2 frets
On the guitar you can play a whole major scale up to the 12th fret and see the pattern on one string.
A very good idea would be to try to memorize or learn the major pentatonic scale for each of the keys
A through G. Below is a chart that shows every key’s major pentatonic scale.
Tonic (major pentatonic scale)
2nd
3rd
5th
6th
A
B
C#
E
F#
B
C#
D#
F#
G#
C
D
E
G
A
D
E
F#
A
B
E
F#
G#
B
C#
F
G
A
C
D

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