Schematics For Chromatic Scales

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SCHEMATICS
FOR
CHROMATIC
SCALES

Arthur
Houle

Professor
of
Music,
Colorado
Mesa
University

arthurhoule@cableone.net

­­­­­­­­­­­­­

Notice that by starting on middle D, the hands are a perfect mirror image –
same fingerings, with white keys and black keys happening at the same time.

CHROMATIC
SCALE,
3
8VES,
HANDS
TOGETHER
CONTRARY
MOTION,


STARTING
ON
MIDDLE
D
THUMBS

•
Black
keys
are
in
bold.

•
IMPORTANT:

Block
the
scale
first,
saying
the
blocks
out
loud
("small,
3,
big,
3,"
etc.).




"small





three












big
 











three






small





three












big














three"

Say
out
loud:


  
  
  
  



D
D#



E
F

F#
G
G#
A
A#
B

C

C#


D
D#


E
F


F#
G
G#
A
A#


B

C

C#









Right
hand
up:























1
3





1
2
3



1
2
3
4




1
2
3




1
3




1
2
3




1
2
3
4





1
2
3,



etc.
–
3
8ves







D
Db



C
B
Bb
A
Ab
G
Gb
F

E

Eb


D
Db


C
B
Bb
A
Ab
G
Gb



F

E

Eb





Left
hand
down:


















Come
back
in
(right
hand
descending,
left
hand
ascending)
using
the
same
fingering
pattern.

____________________________

CHROMATIC
MINOR
3RDS
SCALE*,
3
8VES,
HANDS
TOGETHER


CONTRARY
MOTION,
STARTING
ON
MIDDLE
D
THUMBS

•
Encircled
fingerings
are
black
keys.

•
Right
hand
starts
on
middle
D
(1)
and
F
(5).

•
Left
hand
starts
on
middle
D
(1)
and
B
(5).

Fingerings
going
out
(contrary
motion
‐
right
hand
goes
up
while
left
hand
goes
down):

5








4




4








4






5






4




4
















1








2





1








1








1







2





1


….

repeat
3x
(3
octaves)






 l__l
l__l









slide
on
2's





















slide
on
2's
Fingerings
coming
back
in
(right
hand
goes
down
while
left
hand
goes
up):

5





4







5








5

4












4








5






1







2





1








1







1








2






1


….

repeat
3x
(3
octaves)






 l__l
l__l








slide
on
2's





































slide
on
2's

*Chopin penciled this scale into his "Nocturne in E-flat, Op. 9, No. 2," as a variant for measure 24.
Hear Houle's rendition of this nocturne with variants at

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