Augmented Sixth Chords

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˙
music theory for musicians and normal people by toby w. rush
Augmented Sixth Chords
like that moment of incredible tension just
before the hero finally kisses the leading
lady, the half-step is the go-to interval
for creating tension in music of the common
practice period. it drives the entire style!
if one half-step can create such strong tension, how
about two half-steps sounding simultaneously? Let’s
get creative here for a minute to find a cool new way
to approach a diatonic chord. in this case, we’ll use them to approach the dominant triad .
...and approach that
˙
˙ #
octave with a half step
first, we’ll start with
˙ ˙ b
˙
˙ #
below the top note,
&
˙
the doubled root of a
˙
˙ b
V chord ...
&
˙
&
˙
V
V
...and, finally, add the
V
tonic as the third note.
...and a half step above
the bottom note...
the result is a new chord, one we call the augmented sixth chord,
#
w ww
after the interval created by the top and bottom notes.
b
w
augmented sixth chords are predominant chords,
&
meaning they are used to approach dominant chords.
if we just use
they are usually used to approach dominant triads,
three notes
not dominant sevenths, because of the doubled
and double the
roots present in dominant triads.
tonic, we get the
&
˙
˙ #
italian
˙
˙
however, they also often
augmented sixth.
It.6
approach tonic chords
in second inversion,
?
˙ b
˙ n
#
w w w
˙ b
which also contain a
˙
doubled fifth scale degree.
b
w
&
˙
6
˙
if we add the
Ger.6
I
&
4
˙
˙
second scale
rarely, augmented sixth chords
degree instead
of doubling the
are found transposed down
˙
˙
?
˙ b
tonic, we get the
˙
a perfect fifth, analyzed as
french
“on flat two,” and used to
Fr.6
augmented sixth.
approach a tonic chord in
root position.
Fr.6
b
I
#
w w w
b
on 2
&
˙
˙ #
b
w
˙
˙
&
and, finally, when resolving
and if we
the german augmented sixth
replace the
chord to a dominant triad,
second scale
?
˙ b
you might find yourself
˙
degree with the
˙ b
writing parallel fifths...
lowered third
˙
scale degree,
but it’s perfectly okay!
5
we get the
mozart did it all the time!
Ger.6
german
augmented sixth.
Ger.6
V
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