Guitar Fingering For Music Performance Page 3

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index - middle
results in different measures depending on the strings in-
6
volved.
5
Locality is defined as follows: given two positions p
4
3
and q in input, locality
= α (
+
), where
fret
fret
2
α is a factor that depends on the technical skills of the
1
performer and the height of the strings over the finger-
-6
-5
-4
-3 -2 -1
0 1
2
3 4 5
6
delta fret
board. A suitable value we have found after preliminary
test of the implemented model is α = 0.25, so locality
index - ring
ranges over [0, 8.5] (8.5 = 0.25 (17 + 17)). The local-
6
ity factor accounts for the fact that playing at higher frets
5
4
is itself harder than near the head of the fingerboard: go-
3
2
ing from the 1 to the 17
fret, strings are progressively
1
more raised from the fingerboard, the which increases the
-6
-5
-4
-3 -2 -1
0 1
2
3 4 5
6
related difficulty deriving from pressing higher fretted po-
delta fret
sitions. E.g., pressing a string raised 0.2 centimeters from
Figure 4. Example of the contribute of Fret Stretch to
the fingerboard, at the 12
fret, is harder than if the same
the WEIGH function for the finger pairs index-middle and
string is raised 0.05 centimeters, at the 5
fret: the local-
index-ring.
ity factor is also motivated by the pedagogical literature
which usually prescribes beginners to start playing at the
first frets, because they are considered more comfortable
, which assumes negative and positive val-
fret
fret
and less tiring. Moreover, for less skilled musicians, fa-
ues, according whether the movement goes towards the
miliarity with the fingerboard notes decreases while going
body of the instrument or the head of the fingerboard. It
away from the head of the fingerboard.
is important that this distance is directed, because reposi-
ACROSS difficulties. Across difficulties depend on
tioning the hand in the direction of higher frets is easier
only one factor, which measures the difficulty deriving
than the opposite: so the easier direction provides positive
from the vertical distance between fingered positions. Gi-
differences, while the hardest direction provides negative
ven two positions p and q, deltastring =
string
string
differences. Fret stretch is a function of delta fret, in that
is the difference in terms of intervening strings between
it measures the difficulty for a given delta fret and fin-
two positions. Vertical stretch is the measure of the dif-
ger pair. In Figure 4 we show two simplified fret stretch
ficulty due to a given delta string for each finger pair.
measures for the pairs
and
.
index-middle
index-ring
Also for vertical stretches we defined a comfortable span.
Both diagrams are restricted to the significant part of the
Given the lesser contribution of vertical distance to the
delta fret (complete diagrams would go from -17 to +17).
overall difficulty, we have assigned ACROSS difficulty a
Also, the two diagrams exhibit the same shape, by show-
range in [0.25, 0.5]. We assign 0.25 points in the case the
ing a predictable minimum (0.5) which is a low positive
delta string is a comfortable span, 0.5 otherwise. We have
measure that is assigned when the distance between the
a comfortable span between close fingers (e.g.,
index-
two fingers is the comfortable span. The comfortable span
) when delta string is 0 or 1; between not adjacent
middle
is the distance at which two fingers can press their re-
fingers (e.g.,
) when delta string is 0 or 3, and
index-ring
spective positions with a minimum effort: such transitions
for the pair
when delta string is 0 or 4.
index-little
are thus encouraged by the assignment of a low weight.
Simultaneous positions. WEIGHT accounts for the
The Figure 4 (case
) shows that we have a
index-middle
difficulty of playing simultaneous positions in a chord as
comfortable span between close fingers working on close
well as the difficulty of playing notes in succession. For
frets, while the comfortable span between
index-ring
example, the fingerings for the C Major chord displayed in
is reached when ring finger presses a position two frets
Figure 3 may be composed by the fingered positions in the
higher than index, thus delta fret being 2. Instead, if the
Table below, so that the weight of each different fingering
comfortable span is exceeded, a larger effort is required
is the sum of the weight between each two positions, i.e.,
to perform the transition between p and q: this is the case
(C3,G3), (C3,C4), (C3,E4), (G3,C4), (G3, E4), (C4,E4).
of delta fret wider than 1 for
, and delta
index-middle
fret wider than 2 for
; in both these cases the
index-ring
note: C3
note: G3
note: C4
note: E4
fret stretch measure is 2. The two diagrams also show
<5, 3,3>
<3, 0,0>
<2, 1,1>
<1, 0,0>
the higher difficulty for the negative directions. Finally,
<6, 8,1>
<5,10,3>
<4,10,4>
<3, 9,2>
the two diagrams are simplified in the sense that the fret
<6, 8,1>
<3, 0,0>
<4,10,3>
<1, 0,0>
stretch also takes into account the direction over strings:
when the two fingered positions are on the same fret, it
Respectively, the three fingerings listed (each row depicts
expresses the preference for higher fingers to press lower
a possible fingering for the chord displayed in Figure 3)
1
strings
, which is the relaxed formulation for a binary
yield the overall weights 7.5, 34.25, 17.75: each one con-
constraint enforced during the chords fingering [7]. This
stitutes the weight of a vertex in the graph, and is then used
to compute the difficulty to reach the next graph entry, be
1
Recall that we start numbering fingers from index, and strings from
it a chord or a single position.
E treble.

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