The University of Texas String Project
Promotional Guideline Position Checklist for Violin/Viola:
Please Note: In order to promote to the next ensemble or orchestra, the student must
check-off each requirement for his/her instrument and turn in with the appropriate
“Guidelines for Promotion” checklist WITH his/her private teacher’s signature.
GENERAL POSTURE
Is the instrument supported by the shoulder in such a manner that left hand fingering
can occur without tension?
Is the left hand free to slide up and down the fingerboard?
Is the body positioned with nose-bridge-elbow-knee-toe in approximate alignment?
Is instrument positioned parallel to the floor?
Does the elbow hang under the instrument and hang freely to allow proper finger
alignment on all strings?
Is the left arm and hand forming a straight line from the elbow to the base of the
fingers?
Is the right arm elbow opening and closing to allow for straight bowing?
LEFT HAND POSITION
Are the fingers all curved with only the tips of the fingers hitting the strings?
Are the fingers consistently in a functional position over the fingerboard, i.e., is the
hand placed in such a fashion that the little finger could always pluck the strings?
Is the hand free from clutching?
Does the wrist keep a straight line with the rest of the arm?
RIGHT HAND POSITION
Are all joints curved?
Are the fingers flexible at all times?
Is the thumb bent and not protruding through the frog?
Does the index finger touch the stick near the first knuckle joint?
Are the second and third finger pads touching the frog?
Is the back of hand in the same plane with the forearm?
Is the bow moving on the string parallel to the bridge?
Is the contact point consistently about halfway between the fingerboard and bridge?
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Teacher Signature
Revised Fall 2004