The University Of Texas String Project Promotional Guideline Position Checklist For Bass Page 3

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The University of Texas String Project
Promotional Guideline Position Checklist for Violin/Viola:
Please Note: In order to promote to the next ensemble or orchestra, the student must
check-off each requirement for his/her instrument and turn in with the appropriate
“Guidelines for Promotion” checklist WITH his/her private teacher’s signature.
GENERAL POSTURE
 Is the instrument supported by the shoulder in such a manner that left hand fingering
can occur without tension?
 Is the left hand free to slide up and down the fingerboard?
 Is the body positioned with nose-bridge-elbow-knee-toe in approximate alignment?
 Is instrument positioned parallel to the floor?
 Does the elbow hang under the instrument and hang freely to allow proper finger
alignment on all strings?
 Is the left arm and hand forming a straight line from the elbow to the base of the
fingers?
 Is the right arm elbow opening and closing to allow for straight bowing?
LEFT HAND POSITION
 Are the fingers all curved with only the tips of the fingers hitting the strings?
 Are the fingers consistently in a functional position over the fingerboard, i.e., is the
hand placed in such a fashion that the little finger could always pluck the strings?
 Is the hand free from clutching?
 Does the wrist keep a straight line with the rest of the arm?
RIGHT HAND POSITION
 Are all joints curved?
 Are the fingers flexible at all times?
 Is the thumb bent and not protruding through the frog?
 Does the index finger touch the stick near the first knuckle joint?
 Are the second and third finger pads touching the frog?
 Is the back of hand in the same plane with the forearm?
 Is the bow moving on the string parallel to the bridge?
 Is the contact point consistently about halfway between the fingerboard and bridge?
______________________________________________
Teacher Signature
Revised Fall 2004

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